Modern Opener + 33 Lower Thirds

Modern Opener + 33 Lower Thirds

Modern Opener + 33 Lower Thirds

  • Template for Broadcast, Intro, Promo, Opener, Typography, Commercial, Title / Text / Typo Sequence, Logo Animation / Reveal, Transition, Credits, Graphics, Lower-Thirds, Slideshow, TV Network, Talk Show, Program, History, News, Television Ident, YouTube Channel, Documentary, Social Media, Fashion, Technology, Web, Blog, Online News, Gaming Show, Award, Event, Music, Sports, Style Includes: Light, Dark, Clean, Minimal, Elegant, Fast, Quick, Short, Modern, Energetic, Intense, Dramatic, Rhythmic, Dynamic, Urban.

Template Features:

  • 2 Projects Included:
    • 01 – Modern Opener – 00:15 Seconds
    • 02 – Modern Lower Thirds – 33 Lower Thirds
  • For After Effects CS5.5 and Above
  • Drag and Drop your Footage (Images or Video) and Render
  • Organized with Placeholders, making editing very easy even for beginners.
  • Universal Color Controls
  • Customize Colors for the entire Project in one place. Saving you time from changing Colors individualy for every layer.
  • Works with All AE Languages
  • Your After Effects is not in English? No problem! All expressions have been universalized and will run smoothly on any AE languages.
  • Well Organized and Labeled Projects
  • The extensive number of Comments and Labels for every Comp or Layer will make the customization of this Project fast and simple.
  • Video Tutorials Included
  • If you are a complete beginner or you feel like you need some help, the tutorial will guide you step by step through the customization of the Opener and Lower Thirds (change text | sizes | timing).
  • No Plugins Required
  • All you need to run this project is a copy of After Effects, no additional plugins or third-party software.

Not Included: Music, Fonts and Footage

33 Lower Thirds:

Opener Screenshots:

Promo Example: (Change: COLOR | TEXT | FOOTAGE)

Similar Projects:

Support:

  • For support and further questions about this project please contact me through my Profile Page.
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